Capriciously, I repudiated the sky and all its lighting and thunder, snow and rain, and changing colors.
The paradigm wasn't there. Or was it?
Well, if it wasn't and if it were grounded by gravity, then so many Big Things are just frivolous.
Like love.
And losing a lover.
And even being born here, gasping for breath at first, and fighting through a mob just to climb some ranks and "make it." And those were the Big Things, too.
The paradigm here can't hold such Big Things if it was made to only hold such small, ambiguous entities like eating,...
Please do not ask me to write some fluffy SciFi romance. Nothing will have changed by 2070. I will probably still be alive, I will probably still have this fucking job.
Remember when you hired me, based on the screenplay in my application? I worked hard on Zilly and Jack. For years, my every step was fueled by the thought of Zilly and Jack seamlessly executed on a Broadway stage. (A production, I mean, not a beheading.)
"Such wit!" you exclaimed. "Such cutting-edge quirks! We love the way Zilly listens to movie soundtracks while she studies BioChem! Dun Dun DUN!"...
When I was twelve, I went to sea with my father. My mother had protested out of worry saying that I was not yet ready for the trials of life at sea, but once she had been persuaded to allow me to go, I went with excitement behind my eyes and the song of the gulls ringing in my ears.
I remember the very first time I set foot on the deck of my father's small sailing ship. I instantly fell in love with it. The clear blue waves, the crisp air, and the reflections in the polished wood...
I have come to dread the raven's caw that signals moonrise. It is the dread noise that warns me of worse to come, when I can feel the change come upon me. I beg this of the sun, do not set, do not leave me. Leave me alone with myself and the thing that I carry within me.
This is my anti-aubaude. Leave me with the rest of humanity, walking on two feet. Leave me to tools, to society, to love and all the rest that makes us man. Keep me from hunger, keep me from rage, keep me from...
Thou wanted to enjoy his iced latte
Thou wanted to bring the mood down in this joint
Thou wanted these tourists to be gone
Be gone tourists!
Thou forsakes thee!
Tourists
Poseurs
Wanna bees
Beardos
Thou is the grumbly heart of your demise
Thou is real
Really real
So frightening
So fucking real
Thou is not on tourist maps
Pamphlets
Brochures
Thou will burn away all this fake tourist bullshit
Thou will bring the mood down
in
this
joint
I'm with stupid. That's what his t-shirt says. the arrow points at me, because I always walk on his left. People read it and look at us and laugh. They don't know that he doesn't wear it for jokes and giggles. He means it. He always wears it when we go out together, which is only once a week. He allows me to do the weekly shopping with him. He makes the list but I have to carry it, because he always pushes the trolley.
Somewhere deep down I know he's a control freak and I should break away. Amy's...
"I won't," I said. And she turned and walked away. The generals and lower officers, in turn, followed.
I was alone in that room with the future. I'd only known vanishing past and pounding present. I didn't know what to do with myself. I started by counting my breaths and guessing how many I'd take in a minute. I tried thinking about tomorrow but couldn't. I could only picture a towering wall made of brain matter.
I thought, "Maybe I should've" and stalled again. I closed my eyes and thought about nothing, not knowing I'd sleep soon.
He's as tall as the door, my obsession, and almost as wide. His shoulders hold the promise of strength and safety, his tapered torso slims to promising hips that I try hard not to stare at. His eyes look through my soul, piercing my resolve and dissolving my barriers until I can no longer bear to be in the same room.
He doesn't know this, of course. I smile and nod and grab my files as if I am incredibly busy, then walk to the end of the office. Even though my back is turned and I occupy my shaking...
It approached.
It was too bright. Light wasn't meant to be frightening, but this one was - it was too bright, and there was too much there, it meant too much.
Easier to turn away. But that wasn't an option anymore; there were other powers at work here. There was no escape route.
Everything was happening too quickly. No time to work out what to do, no time to even begin to create other options.
Just the light. The light and the fear. And the horror that was approaching.
In a rush, in a horrific scream, bathed in terrifying light,...
"I feel boxed in," she said.
"I'm sorry?" he replied, not quite understanding.
"Well, the basic thing is this: the image is quite boring, and the color scheme is obnoxious, a weird, misguided attempt at the painterly surrealism that Richard Linklater's Waking Life first presented in film. Add to that two gigantic butterflies, and the whole thing just falls apart. But despite the silliness of the painting, however, there's really no room for absurdity. Characters can't wave pistols around or smoke cigars or get hit in the forehead with boards. I'm boxed in. I have nowhere to go. It's too...