I am still half dreaming as I open my eyes against the night. The alarm hasn't gone off yet, shaking me awake with its awful, soul grating shriek, and it is not yet morning. I glance at the slime green display on the clock - 2.18am. Not good. Something has disturbed my sleep at this usually, thankfully, unknown hour and I just hope that I can ignore it and drift back down into my rest.

I try, but there is a sound, or some movement, or maybe it's both things, and my eyes are open again even though I wish...

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My father and I were lying on the beach wondering why the moon looked larger than usual. My father argued idly--something about the flat terrain and the empty skyline. "If we could see a house, or a tree, or a traffic light, it wouldn't look so big."

It was a stupid explanation, but we are not the kind of people who carry iPhones, and whip them out to settle any debate. We hate those people. They ruin everything.

We'd been drinking wine from the motel's paper cups. We'd run out of wine a long time ago, but occasionally we still...

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The mannequin stared at me again, just like it did every morning.

It was the same this morning as every morning. My route would pass in front of the shop; the same steely look from that dummy. I didn't want to admit it to my older sister, but there was something about that look that made me completely afraid. "Come on, you!" she said. "Stop your dawdling, we're going to be late again, and every time we're late, it's all your fault. Come on!"

I glanced over my shoulder at the mannequin once more. I was sure, this time. Something...

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"I have something to tell you."

These are not words you want to hear from your girlfriend when you first walk in the door after a late night at work. Still, Lewis tried to stay calm, tried not to let his imagination get ahead of him. He sat down at the formica kitchen table, looking up at Sadie. She was actually wringing her hands. He thought that only happened in stories. A long pause...

"Well, honey? What is it? You're making me kind of nervous here."

"I know, I know. I'm sorry. I just... Ok. Here goes. I'm... I'm a...

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She found the key on the internet.

It seemed silly, a little, to buy a physical and tangible thing like that to open up a locked trunk in a dream. But it was necessary, she was sure. She'd been trying to get into the trunk in the bedroom of the house of doors - the house she returned to over and over again in her lucid dreams - for years. For as long as she could remember.

The trunk, solid and wooden, banded with brass and locked. It was impenetrable. She'd tried peering through the keyhole, picking the lock, everything....

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(To read Part 3, follow this link: http://sixminutestory.com/stories/somewhere-better-part-3.)

"Choose as you please," said Someone Good. "Surrender to the breeze, or fight for control. Which do you value: predictability, or potential. The known and the now, or the unknown, the good?"

As the air whipped in gusts around her, gripping her, twisting her, she struggled. Within herself, she wrestled for a choice. Would she allow herself to be carried up by these winds of change?

Somehow she knew that this was a defining moment. It was here, in the borderlands of Somewhere Better, that she could either fight her way back...

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An aura surrounded her.

He couldn't describe it, couldn't explain it, couldn't put it into words. It was beauty.

She raised her hands, opened her mouth, flexed her diaphragm, and completely, irrevocably drew him into herself.

Her song permeated him, and the light that bounced off of her transformed his eyes into bodiless, empty receptors: everything else faded, his body, his chair, his table. There was only the Vision.

Then the song ended, and he was left floating in the smooth, absent, come-down buzz of the empty amplifiers.

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We wrote a song for the silver trees. The streetlamps gathered underneath the bridge to hear us. Our band played. Others milled. The night was soft. The river was a metronome.

We wrote a song for the silver trees.

Sylvia wasn't sure she should have been there, never higher than 3rd chair in the symphony, but the viola was for her and her alone. I loved it when she tilted her neck just so. The chains glinting silver in the groaning of the streetlamps.

This was a song for her neck.

We wrote it in a hurry, gathering musicians out...

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Dust obscured the dim lighting above. Clutching a paper bag, the girl lurched to the elevator. Old, worn doors opened, and she descended.

Outside the building her suitor waited wearing a tattered tweed jacket and chipped bifocals. In his hand, a pair of freshly cut daffodils.

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Ceci n'est pas un garçon.

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