So, give me more details, sweetie. No, not that kind of detail!
Where'd you go? What'd you eat? What'd you wear? Come on, babe, we need more, more, more!
Did he pay? Wait, I need to light up...ok, go. Credit card? Flashy. You're kidding - champagne? On a first date? Seriously flashy.
Ok, so what next? Did he leave a tip? No way, cheapskate! Bet they remember him there anyway.
And where'd he take you? His flat? What, the old "my mother's staying with me so we've got to go to a hotel" line? You're kidding - no-one really says...
We are falling, steady. We are falling a little bit. We are falling into a mass dream, an illusion that is as good as reality for now. We are falling so slowly, so gently that it feels like we are floating. We are together and we are kidding ourselves. But it is noble and good and we are falling. What reality is greater than this? What is it we are here for? We are this: we are weight: we are what makes it possible to fall.
We are falling and it is enough.
Midnight on the roof. She stood alone, shivering, cold, the wind blowing her hair across her face, blanket wrapped around her. It had gone all wrong at the party, and she knew it. She had meant to approach him, to say she was sorry, to ask him to forgive her. But instead, she froze, watching carefully from across the room while her friends chatted on, oblivious. He never once looked her way. Did he know she was there? Could he feel her presence? The truth she had spoken aloud in anger only a few days before seemed not so true...
Malcolm's coo became a cry. It had been hours since we had locked ourselves out of the house but it made no difference to him or his needs. The boy wanted his parents but was incapable of the simple act of walking over to the door and unlocking the deadbolt. The life Malcolm led was one of constant need, one of dependence.
The debilitating accident last year 'scrambled his circuits' as his mother put it but while the rest of the family wrestled with the fact that my son would never walk, eat, speak or function on his own, she...
Charles didn't know what to think. The heat on his cheeks hurt too much, but he didn't like it when the flame disappeared. Jenny was the one holding the camera. She told him that they could all share the candle. It was one flame for the entire group. A moppet party, dad called it, because it was not their birthday.
Mom was sick. Charles could only think of that. She'd pale cheeks and skin stretched over her face, and her hair tangled and black and her mouth a gaping, gawping hole. She didn't even recognize any of them when they'd...
"No. Seriously. More natural. It won't kill you.
"What? The camera. The wait, though. The wait might kill me.
"You, sit down. No, please. *Please* sit down. No, not you. Because you're in white trousers, that's why!
"Look, I know this is new. This is new to me, too. But in the future? Oh, yes! In the future! This will be the thing. THE. THING.
"What? No. No, they won't need flash pans. I'm certain. Or these -- these tents. No, they'll be able to carry them around in their pockets. No, not like those pockets. No, sir, please, hands...
I carry you with me.
I carry you with me here.
Right here, in this tender spot
in this hollow space.
I carry you with me.
I carry you on the tip of my tongue
Just on the tip, so that I can
carry you with me here,
in my words, in my sounds
There. That word, that sound -
Said just as you would, just as you have
Because I carry you with me,
I carry you with me here.
Right here, in the downturn of these lips,
In that expression you wore had that carried with it a...
"What is it you have to do again?"
Richard pointed at the screen. "You have to get the butterflies to land on that tree."
"Which one, the one on the left?"
"No," he said, "the other one, the little one."
His son crossed his arms. "Dad, this game is so lame! I don't see how you could have played this thing. The graphics suck!"
"Hey, this is 16-bit resolution! You should have seen some of the old 8-bit side-scrolling games. The graphics on them were even worse, but they were all we had. And do you hear those sound effects?"...
When the father arrived home to his squalid, Lower East Side tenement building, he was exhausted. He paused at the door to pose for a Jacob Riis photo, and then trudged though the entryway. The grit of coal from the furnace in the oil refinery still covered his face. This, despite the fact that we worked on the docks hauling fish. His apartment was in the rear of the building: a cramped, filthy space overlooking a pile of rubbish that the realtor had described as a “quaint fixer-upper with a partial city view.” He approached the door, removed a rat...