(To read Part 3, follow this link: http://sixminutestory.com/stories/somewhere-better-part-3.)

"Choose as you please," said Someone Good. "Surrender to the breeze, or fight for control. Which do you value: predictability, or potential. The known and the now, or the unknown, the good?"

As the air whipped in gusts around her, gripping her, twisting her, she struggled. Within herself, she wrestled for a choice. Would she allow herself to be carried up by these winds of change?

Somehow she knew that this was a defining moment. It was here, in the borderlands of Somewhere Better, that she could either fight her way back...

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Gene started thinking up missions. Find a tapedeck, sparklers, foam hats, and a Tears for Fears hat. Re-enact a concert in the parking lot of some three dollar hotel. Load the back of Dave's truck up with lawn furniture and mailboxes - whatever isn't tied down. Cut down all the trees on one block on the East side under the guise of city workers.

Gene fumbled with the cats. He hat taped their four tails together and begun the arduous process of spraypainting them gold when some three Spanish children skidded to a halt in front of Gene's yard. "Making...

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"They won't be of any help."
"Why? Did they not see anything?"
"I think they saw too much."

The man in the white coat was right. That was what had happened. We had all seen too much. Too much of the evil that had passed under the sky that night. We had born witness to horrors that no human tongue can describe. And by the way that the animals had fallen silent, not even they knew how to communicate what had happened.
We all sat in silence, those of us cursed to survive. It was by group consensus, unspoken as...

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She'd have preferred the electric chair, at least that one bloody moved. She could get up a good speed on that one, maybe she could get out of it, escape their sympathetic looks. It was bad enough losing the power in your legs without their condescending looks. Idiots.

Apparently it was a "power chair", but, frankly, bollocks to that. Jokingt that she was living out a death sentence was one of her few pleasures left - that terror in their eyes, the "oh god how do we respond to that" was what she was living for right now.

Actually, that...

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The trick was picking the tired, lost ones. That was the trick. Many passengers coming into Warsaw Airport had been warned about 'unlicensed' taxis, but if you chose well they would be too confused to argue. The trick was getting their bag. Once you had that, with a "Let me carry your bag, Sir/Madam," they would have to follow you.

The trick was to walk fast enough to scare them into following you, for fear of losing their baggage in the busy arrivals lounge, but not so fast the airport police would think you were stealing something.

That was the...

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"Will you just buy a newspaper?"

"I don't need a newspaper. I'm going to say 1985."

"No way, it can't be any later than 1973. Look at the can."

"I see the can, but -"

"Then you see the logo style. That's totally an early seventies steel can. Just buy a paper so we can figure out when we are."

"Look, the phone has a Southwestern Bell logo. That means it's AFTER the breakup of AT&T. Therefore, we are sometime in the mid-eighties."

"But soft drink companies had already switched to aluminum cans. How do you explain that?"

"I don't...

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I jumped.

I know it was dumb but at the time I didn't really think I had any other choice. Besides, it's not like I really thought about it. I just did it. Just took that leap. Stepped off the edge without looking down first. He was coming after me and my instinct took over and I am now lying in the bed that I made.

Of course I had the choice of socking that guy at the bar, the one who chased me, the one weighing about 300 pounds and all of that muscle. Of course I could have...

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The drugs were beginning to wear off. Minute by minute the butterflies, those glorious, evanescent, friendly butterflies, were fading. She pressed the earpiece of her headphones to her ear. Pink Floyd were sounding like a noisy nightmare. As she gazed out across the valley, with its endless vista of trees, trees and more trees, she came down to earth with a bump. She should get back to work - artificial props might give her a brief respite, but she had a deadline to meet and a quota to make. Sighing, she pressed stop and slipped her headphones down round her...

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"I think we need to take the Easter eggs back," Gerald said.
Louise looked up from placing an Easter bunny on a table. "Why's that?"
"Because one just hatched."
Louise frowned, crossing the room to where Gerald was coddling a small bird in his hands. She was hoping for some kind of explanation, which proved to be difficult to do when he looked more confused than she did.
"What do you mean," Louise said, rubbing the back of her head, "when you say that it hatched?"
"Well, I was getting some of the eggs out for the hunt, right? And...

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We are there. We are in the shadows, in the gaps, in the spaces between words. We are in every moment where you pull away, where discretion replaces narrative, we are there.

We are there in the knowledge that you do not write all things that happen, we are there, waiting in the wings, filling in the gaps, in the spaces.

You did not write us - you never write us, nobody writes us (and who would read us, who would read every banal moment, every second, what soul could stand the painful inevitability of one moment following the next...

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